Chuza Onishi, anagama wood-fired unglazed yusamashi, Japanese Shigarakiyaki water cooler
160000JPY 1303.00€ 1474.00$
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Brand: Chuza Ohnishi
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Chuza Onishi, anagama wood-fired unglazed yusamashi, Japanese Shigarakiyaki water cooler



Chuza Ohnishi

1926     Born in Chokushi, Shigaraki, Koka City, Shiga Prefecture

1949     Completed study at Kyoto affiliated with the National Ceramic Experimental Institute

1951     Sculptured “Takarabune Shichifukujin” in front of the Emperor Hirohito when the Emperor visited Shigaraki (thereafter donated to Chokushi Tenjin Shrine)

1954     Became independent

1976     Designated Traditional Craftsman of Shigarakiyaki by MITI

             Established Shigarakiyaki Traditional Craftsmen Association and became the first Chairman

1981     Made a pottery using pottery wheel in front of Emperor Hirohito and Empress when they visited the opening ceremony of National Athlete Meet held in Shiga                       Prefecture

             Presented tea ware which Emperor requested

1990     Designated the first official Preserver of the Intangible Cultural Property that is Shigaraki-ware in Shigaraki, Shiga Prefecture

1995     “Crafts of Shiga, Traditional Ceramics” (Shiga Prefectural Modern Museum)

2000     “Visit Ceramics of Shiga, Shigarakiyaki-Tradition Technique”(Shiga Prefectural-The Shigaraki Ceramic Cultural Park)

2001     “Great Shigaraki Exhibition - Yearn for beauty of yakishime and its tracks” (Shiga Prefectural-The Shigaraki Ceramic Cultural Park)

2003     Awarded Shiga Prefecture Culture Award

2005     “Colorizing Lake Country – Pottery Artists of Shiga”

2010     Regional Person of Cultural Merit – commendation by The Ministry of Monbukagaku

2012     “Shigarakiyaki   Chuza Ohnishi and master craftsmen of Chokushi”

2015     Awarded Medal with Dark Blue Ribbon(Konju Housho)


Made by Chuza Ohnishi

Made in Chokushi, Shigaraki, Shiga Prefecture, Japan

Size:About Height 5.4cm * Length 12.8cm * Depth 11.2cm 

Material:Pottery

Capacity(Maximum):About 230ml

Package:  Kiri Wood Box


Shipping Cost   (It might differ from the actual EMS shipping rate)

Asia District (Taiwan, Hong Kong, Singapore, Malaysia, Thailand, Vietnam, Philippines, Macau, China, etc.) - JPY 2200

America District(USA, Canada, Mexico, Costa Rica, etc) - JPY 3000

Oceanea District(Australia, New Zealand, New Caledonia, Fiji, Papua New Guinia, etc) - JPY 3000

Middle East District(Turkey, Saudi Arabia, UAE, Oman, Qatar, Iran, Iraq, Kuwait Bahrain, Israel, etc )- JPY 3200

Europe District(France, England, Germany, Italy, Spain, Switzerland, Sweden, Denmark, Finland, Belguim, Poland, Russia, etc) - JPY 3400


Shipping method

We use EMS(Express Mail Service). After we ship the product, it will take 3-10days to arrive at your place.  You can track the parcel.


Purchaser of the product must read the below condition carefully.

Return/exchange and refund

    • We will not accept return/exchange of the product unless the products we sold have any damages or we shipped the wrong item.  If we accept the return/exchange, the products must be complete and without any signs of having been used or damaged.  

    • The product is carefully examined before shipping. However, in case there is any damage in the product, you should check the product within 7 days and report to us after receiving it (the days are calculated fromt the proven date of delivery). Otherwise, we will not be responsible for the damage, so please check the quantity, apparent condition, etc., when the product arrives.

    • The color of the product you will receive might look slightly different from the pictures you see in this web page.  This is because depending on the amount of light when the picture was taken, the color in each picture might look different.  Please understand, we will not accept return or make refund because of the above reasons.

    • We will not be responsible for any of the customs clearance and customs duty/tariff payment.


Chuza Ohnishi


Chuza Ohnishi (2010)
Chuza Ohnishi (2010)
Wood-fired kiln
Chuza Ohnishi (2010)
Chuza Ohnishi (2018)
Chuza Ohnishi (2018)
Chuza Ohnishi (2018)
Chuza Ohnishi (2018)
Chuza Ohnishi (2018)
Chuza Ohnishi (2018)

Chūza Onishi is among the foremost producers of Shigaraki-yaki, or Shigaraki-ware. In 1990, he was designated the first official Preserver of the Intangible Cultural Property that is Shigaraki-ware in Shigaraki, Shiga Prefecture, the tradition’s hometown. In 2004, when Shigaraki was merged with the city of Koka, Onishi’s title changed to the first official Preserver of Shigaraki-ware for Koka City, as it remains to this day.

 

Onishi’s name may not be one that is nationally recognized in Japan, as he has held only one solo exhibition – in Shigaraki, at that – and has rarely entered open exhibitions. But while he may not be one to seek recognition through prizes, Onishi is fully devoted to the work of crafting ceramics. His technical skills and powers of artistic expression put him miles ahead of the pack, and it is no hyperbole to call him one of the premier teaware artisans in Japan today.

 

Of all his professional activities, the making of teapots is the one to which Onishi has devoted the most effort. That is because “teapots are the most difficult” of pieces, he says. “If you don’t have the skill to make a good teapot, you can’t make anything else, either.”

 

Onishi has single-mindedly pursued the full range of what teaware, as a genre, has to offer, experimenting with a wide variety of forms, sizes and firing methods. His pots are perfectly crafted tools for pouring tea: their lids fit on perfectly, and their spouts are perfectly formed to ensure they will not drip tea after a pour. Even when simply left on display, the pots command attention, so advanced is their artistry. The beautiful singed patina that emerges on Onishi’s wood-fired teapots is of particular note, both for its visual splendor and the skill and thoroughness with which it is created.

 

Ordinarily, teapots are fired with their lids on. But Onishi fires the two separately, carefully accounting for how each will change shape in the kiln. This enables Onishi to create unique and beautiful patterns on the rims of his pots, where the lids will rest.

 

“If kiln ash lands on the rim and creates a beautiful pattern, a pot is worth more. At the same time, it’s no good if a pot or lid warps a little. If my lids and pots ultimately do fit well together, it’s because the gods have rewarded my hard work,” Onishi laughs.

 

 

Onishi was born in 1926 to a family of farmers in the Chokushi section of Shigaraki. He completed only a primary school education before moving to Osaka to work at an electronics company winding wire coils for motors. The motors that Onishi made gained a reputation among clients for their long lifespans – a function of how skillfully and neatly wound their coils were. When war broke out, Onishi qualified for conscription as an officer, based on his skills. But his draft papers never arrived – an extremely rare occurrence. He learned afterward that his superiors had repeatedly sought deferments on his behalf, fearing that the company would be in a tough spot without the skill that Onishi brought his work and the caring attitude he took toward his subordinates – a testament to both his work habits and his personality.

 

After the war, Onishi returned to Shigaraki, where he worked re-winding motors for electric pottery wheels. In 1947, when he was 21, he began attending a prefectural school for Shigaraki-ware at the urging of his father, who feared that Chokushi’s pottery tradition would end without an heir to take it over. He later completed his education at a studio in Kyoto affiliated with the National Ceramic Experimental Institute. Though he initially had no inclination to become a ceramics artisan, the two years he spent learning all about the process of making pottery – from the formation of pieces to glaze work, pattern-drawing and engraving – ignited in him a natural interest in the craft. He decided at that point to make his life in the field.

 

At age 23 – in 1949 – he apprenticed himself to Genzo Onishi, under whom he refined his skill at working with a pottery wheel. At 27, in 1953, he set out on his own, working with a traditional type of high-volume kiln, known as a nobori-gama, borrowed from another artisan. Shigaraki-style hibachis were in vogue at the time, and over the course of 10 years, Onishi fired roughly 100 batches of pottery, allowing him to learn all about working with wood-fired kilns. This experience is the foundation of Onishi’s present-day mastery of wood-fired pieces. After that, Onishi spent time studying various teaware traditions from around the world, exploring the various possibilities such pieces had to offer.

 

Onishi has now spent over 60 years working as a ceramics artisan. He is almost universally known in his hometown of Shigaraki, and nearly all of his pieces have been received warmly by followers in the area. New Onishi pieces are almost impossible to find on the market.

To hear the artist speak in December 2018, at the age of 92, of his success as a “reward from the gods” for hard work warms the heart, given how immense those efforts have been.


【Shipping method】

We use EMS(Express Mail Service). After we ship the product, it will take 3-10days to arrive at your place. You can track the parcel.

【Purchaser of the product must read the below condition carefully.】
  • We will not accept return/exchange of the product unless the products we sold have any damages or we shipped the wrong item. If we accept the return/exchange, the products must be complete and without any signs of having been used or damaged.
  • The product is carefully examined before shipping. However, in case there is any damage in the product, you should check the product within 7 days and report to us after receiving it (the days are calculated fromt the proven date of delivery). Otherwise, we will not be responsible for the damage, so please check the quantity, apparent condition, etc., when the product arrives.
  • The color of the product you will receive might look slightly different from the pictures you see in this web page. This is because depending on the amount of light when the picture was taken, the color in each picture might look different. Please understand, we will not accept return or make refund because of the above reasons.
  • We will not be responsible for any of the customs clearance and customs duty/tariff payment.
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